My Last Duchess By Browning Essays - My Last Duchess,

My Last Duchess By Browning One of the greatest Victorian poets and masters of the dramatic monologue, Robert Browning was born in London on the seventh of May in 1812. His father was a clerk at the Bank of England and mostly educated Browning at home. He attended London University in 1828, but withdrew after his second term. After his first publication in 1833, Pauline: A Fragment of a Confession, he received little attention and only random criticism of his later works. It was not until 1869 when The Ring and the Book was published that he received recognition and began to build his reputation. Prior to his success, he married Elizabeth Browning against her father's wishes and stayed deeply devoted to her until her death in 1861. While married to Elizabeth, he lived in Florence, Italy, where he did some of his finest work. Nearly all of his companions and acquaintances considered him a sociable person and a gracious host, as he was well known for his dinner parties. Browning continued to publish volumes of poetry until his death on December the twelfth of 1889. Robert Browning is remembered for his mastery at capturing the essence and power of the dramatic monologue. Through symbolism, structure and technique, Browning creates the model of the ideal dramatic monologue in the poem, "My Last Duchess." "My Last Duchess" was published in 1845. "Ferrara" is the subtitle of the poem and assists in disclosing the design of the poem, a portrayal of Alfonso II, the fifth Duke of Ferrara. The historical life of Alfonso II fits intricately with the events and happenings within the poem. Alfonso II married Lucrezia de' Medici who is the daughter of the Duke of Florence. The Duke's family has a long credited name and wealth that had been around for ages. The affluence and power of the duchess's family had been newly acquired, and when comparing the two families, the Duke's was much more significant, at least in his eyes. The Duchess of Alfonso II died of poisoning in 1561. Three short years later the Duke arranged to marry Barbara, a niece of the Count of Tyrol. The speaker of the dramatic monologue is an egotistical and pompous Duke. He speaks to an envoy of the Count throughout the monologue. At the beginning of the poem, he slowly draws back the curtain and reveals a portrait. This portrait, he asserts, is his "last Duchess...looking as if she were alive" (lines1-2). The Duke continues by addressing the look upon her face and the many reasons for her blushing cheeks. Continuing the description, he depicts the duchess's ways, including her virtues of innocence and unspoiled beauty. Examples are given by the Duke of how easily she is impressed by nature and the simple pleasures of life. He claims he is disgusted by her ability to see natural beauty as an equal delectation with his name and matrimony. Then very subtly he tells the envoy how he gave orders to have "all smiles stopped together" (line 46). The envoy is completely aware of the truth about the ordered killings and the Duke's greedy reasoning for marrying the niece of the Count. The contemptuous way of the Duke is made perfectly clear to the envoy, and the envoy begins to leave. The delegate is completely aware of the truth about the ordered killings and the Duke's greedy reasoning for marrying the niece of the Count. The Duke elaborates his reasoning for marrying the duchess, by declaring it is only for the dowry. The last few lines of the poem reveal the full essence of the Duke and how he sees himself as powerful and godlike. "My Last Duchess" contains multiple symbols throughout the poem. A few of the symbols in the poem are said by the Duke pertaining to the duchess. The Duke gives examples of things she was enamored by such as the "the dropping of the daylight in the West" (line 26), the "bough of cherries" (line 27) and the white mule. She enjoys and treasures the sunset for its beauty; this the Duke finds trivial. The cherry branch given to her by a servant is white and pink which could be representative of her youth and innocence. The white mule she would ride is something that gives her pleasure, she finds it exotic and interesting. All of these gifts of nature he finds to be elementary and insignificant, but to her they are beautiful and extraordinary. The symbols told by the Duke also echo her natural splendor